Bangkok 8 sj-1 Read online

  "The gangsters," I manage to croak. I'm so drunk now, the feeling in my stomach so lethal, that I'm afraid I'm going to have to make a dash for the toilet before the punch line. It comes just as I'm standing up. "Sonchai, I swear to you I know no woman of the description you gave to me. If I did, if she was as good as you say, I would have invited her for a week on my boat-you know me." The old man grins and waves a hand to excuse me. As I rush toward the sign marked GENTLEMEN I look back once and catch an image of an attractive military figure brimming with health and contentment as he pats the backside of his favorite, who jumped to fill his glass as soon as I left the table.

  I am a long time in the toilet, and when I return to the bar the old man has gone. It is like the Colonel to offer this subtle compassion, just when one least expects it; he has cut short the lunch which he was clearly enjoying and given orders for me to be taken upstairs to the room the girls use to service their short-time clients. I don't want to sleep here, don't want to look on this girl showing me the way up the stairs and see my mother twenty-five years ago, but I know I couldn't make it out in the street. Fearing I might soil the bed in my sleep, I lie down on the floor in the upstairs room and fall asleep there, just like a whore. After such a banquet what would I dream of if not Paris?

  At a big cafe near the Opera, with a glass extension that took up three-quarters of the sidewalk and waiters even ruder and more arrogant than elsewhere in the city, my mother said: "If only he were a hundred years younger."

  Only a slight exaggeration. I had watched Monsieur Truffaut in the mornings as he crossed the great spaces of his Cinquieme Arrondissement mansion flat in his paisley dressing gown, looking exactly like the undead. It was as if he'd left his mind in the grave during the night and did not catch up with the fact of being alive until after twelve o'clock, when he swallowed his collection of pills.

  Nong reported that her bedtime duties were not heavy. He was one of those Frenchmen who had enjoyed a young female body next to him in bed all his life and saw no reason to give up the habit merely because his biology was failing.

  It was hardly a strain to fit in with the old man's rituals. Nong and I had the mornings to ourselves. The old man would spend the hour between 12 and 1 p.m. digesting his pills and the daily newspapers with increasing vigor as the drugs took hold, then we would march off to one of the world-class restaurants at which he was treated like the Roi-Soleil. Maxim's, Lucas Carton, the restaurant at Fauchon, Le Robuchon; these shrines from the gospels of cuisine were everyday events for the bar girl and her son. With true Parisian discretion, the waiters neither nodded nor winked behind the old man's back. They called Nong "Madame" in reverential tones, and I was "Monsieur."

  Truffaut's afternoon vigor lasted long enough to give me an English lesson, interspersed with French, and here was revelation. To the old man the only reason for learning English was to win arguments with Englishmen and Americans, preferably without their noticing it. He taught the finer points of the language: the effective use of sarcasm, the acid two-word cap on a bore's monologue, how to tell the other guy he was a jerk in a way that everyone except the jerk understood; it was the English of a fencing master, and I loved it.

  He also taught pleasure. A lunch or dinner at a place like Lucas Carton was to be approached with reverence, as one would seduce a beautiful woman. The pleasure of food was more reliable than sex-a wink at Nong, ironic and self-mocking, which made her smile. "Paris is an old whore, but a five-star one."

  One took a stroll before the meal, then an aperitif at one of the pavement cafes. "Choose a place full of life, for god's sake, full of intrigue and adultery. Then make your way slowly to the temple of pleasure."

  Everything about the old man told me what I was going to miss out on: urbanity, the cultivated conversation of the demimonde, that special sort of job which was an extension of one's social contacts. Like the Colonel, whom I had not yet met, Truffaut was one of life's golden ones, a member of a special tribe to which I knew even then I would never belong. There was something else about him, though, an authenticity to which Vikorn would never aspire. Every day after my English lesson Truffaut, in a state of rapture, read two pages from a book by someone called Marcel Proust. Nong noticed it too-the authenticity, not the Proust. I think she would have settled for twenty years younger, for they shared a passion for life cleansed of illusion. More than once I saw her reach out, but they both knew there just was not enough of him left. Oh yes, we could have been happy in Paris, and for several months we were.

  The inevitable happened during our fifteenth week. In the middle of the night my mother felt obliged to call a number the old man had given her, and the emergency services arrived with oxygen and drips.

  It was not a serious stroke, but it brought a small army of bequest-minded relatives, one of whom was delegated to tell Nong it was time for her to go. The old man had been persuaded to agree-he was hardly in a condition to argue-but true to his code, he insisted that mother and son return to Thailand in style on a first-class ticket on Air France, with whom he had family connections. An Air France official met Nong and me at the airport and during the flight we were treated as if we were Siamese celebrities, perhaps of a new generation of brown-skinned billionaire entrepreneurs. Nong groaned when we emerged into the muggy heat of Krung Thep and joined the taxi line. Going back to the bars was going to be especially tough after Paris.

  I awake to a familiar ghost gnawing at my feet.

  20

  It is male, about nine feet tall with the round shape of a tic, tiny feet and legs. His mouth is the size of the eye of a needle, just as the tales stipulate. I have seen his kind too often to be truly frightened, but the echo of my childhood is infuriating to me, as if I've got nowhere in all these years. From downstairs there is the muffled boom of the club's sound system, but we are all alone in a primeval space, this hungry ghost and I. He is the spirit of one who was greedy and selfish in his lifetime and must spend a thousand years with that tiny mouth which can never take in enough food for that huge body.

  The hungry ghosts are the most common of our indigenous ghouls, of which there are many varieties, and I'm not entirely surprised to find him in a go-go club, for they feed on every kind of vice. We all believe in them, by the way, even those who would deny it to foreigners. To many people, especially in the country, the undead are a serious pest. One of their more disgusting tricks is to appear late at night on quiet lanes holding their heads under their arms, although the more common posture is a dead-eyed, flabby-lipped stare from the foot of the bed. They bring bad luck and the only repellent is a visit to the temple and some expensive exorcism by the monks. They can be a hazard to prostitution. Every bar has its own story of the girl who contracted to spend the night with a client, only to flee in the middle of it because the ignorant farang had chosen an old run-down hotel infested with these filthy spirits. Even Nong, above averagely robust in most respects, once woke, with her middle-aged customer snoring peacefully beside her, to see an apparition greedily licking at the used condom which the farang had been too lazy to dispose of. She too had dressed hurriedly and departed, vowing never to visit that particular hotel again. I deal with this one by reciting the Four Noble Truths to myself in Pali. I watch while he vanishes, and with him the dull gray space he inhabits. I stand up and open the door.

  The music and roar of voices from the bar is suddenly deafening. The burning in my stomach is ferocious and the sourness in my mouth makes me nauseous. I grope my way down the stairs and enter the bar.

  It is twenty minutes past midnight, just the hour when the great game reaches a climax. Shy men who have been saying no all night find their wills sapped by drink and the ceaseless attention of near-naked young women; all of a sudden the prospect of going back to the hotel alone is more appalling-and somehow more immoral, a crime against life, even-than congress with a prostitute. Skillfully, the girls build a dream world of fantasy in the Western mind, a world which is mysteriously difficult to let go o
f. And the girls, too, have their fantasies: of finding the farang who would support them for life, or, failing that, take them to the West and relieve them, for a year or two, of this living hand to mouth, not to mention the indignity of their trade. The bar is packed.

  A gang of brutal-looking young men, their heads shaved like pink coconuts, ears pincushions of ironmongery, tattoos glowing at the edges of cutaway singlets, sit mesmerized around the bar, which is in near darkness. It is the paint act. The girls on the platform are naked except for streaks of luminescent paint asymmetrically applied the length of their bodies. Under the ultraviolet spots the effect is eerie: erotic pink and mauve shapes move sinuously to the music, a Thai pop song with the usual upbeat rhythm. Other men sit in padded booths surrounded by attentive girls and staring at the show. The floor is flooded, too, by Englishmen telling each other it is the cheapest bar in Pat Pong. As I pass a booth I hear: "I want to take you out, I'll pay your bar fine."

  "I don't know. Cork you too big."

  "I tip big too."

  "Oh, okay."

  Outside the street is no less crowded. Here the forces of capitalism produce a strange conjunction. Families on their first trip to the Orient, sleepless with jet lag, browse the dense lanes of clothes stalls. Women and girls make oohs and aahs as they translate the prices into their own currency while their men acquire rubber necks. The moral impropriety of designer rip-offs seems not to trouble the respectable bourgeois conscience as they cram plastic bags with Calvin Klein T-shirts, Tommy Bahama jeans, fake Rolexes.

  "Well, if you're tempted, Terry, go ahead and get it off your chest," a stout woman is saying in bitter tones as she holds the hand of a wide-eyed boy of about seven. "Just remember to use protection, and don't expect us to be waiting in the hotel when you've finished."

  "I didn't say I was tempted, darling," the man says (also stout, balding, haggard), "I merely said you can see how some blokes might be tempted."

  "Well, I have to say I can't see what's so tempting, I hate to be racist, but this is the Third World."

  I am in a hurry to escape this street full of sad memories, but it doesn't do to try to rush. The place is so crowded, the night so hot, the music so loud, the ten thousand television monitors so insistent, you have to adjust to the prevailing rhythm: somnambulant rather than relaxed, as if these were not real people so much as dream-bodies the true owners of which are tucked up between crisp sheets in one of the safe clean suburbs of the West. I eventually make it out to Silom, where still more stalls line the road for more than a mile. I hail a cab.

  It takes more than an hour to reach Kaoshan in the dense midnight traffic. When I arrive the music is even louder. The taxi cannot penetrate the crowds in the street who are carousing, swigging from beer and whisky bottles and checking out pirated tapes and CDs on the stalls. I pay the driver and, once again squeezing between hot damp Caucasian bodies, find the soi where the teak house stands in near darkness.

  I imagine the black man doing this: escaping the insanity-with-soundtrack of Kaoshan, escaping the light, escaping the city, escaping the world to retreat with a sigh to his private and perfect world in the nostalgic wooden house of yesteryear. At the top of the stairs leading to the first floor I slip off my shoes and gingerly try the door. It yields to my push and I slip inside like a shadow.

  It takes a moment to realize the lights are switched on. The glow they give is so soft, hardly more than that of safety lights. The old lady sits cross-legged in one of the dark corners, softly murmuring.

  She is perhaps the last survivor of her generation in the village where she was born and brought up-probably somewhere in the northeast in the area we call Isaan, near the Lao border-and she is talking to all those friends and relatives who have already passed over to the other side. They are as real to her-realer-than the living. She must do this every night, no doubt longing for her own liberation from a world she has never understood and never will. I take the key from my pocket and slip out the front door, climbing up the external wooden staircase to the upper floor where the twenty-first century awaits.

  The computer is as I left it, still running with the screen turned off. When I press the button to illuminate the screen, it reads:

  Thank you, Detective, congratulations on getting here before us. A thousand bucks is a little steep but Uncle Sam can take it. We would like you to meet Special Agent Kimberley Jones as soon as possible. Regards, Khun Rosen and Khun Nape.

  I nod at such gracious tones from a superpower, and delve into Bradley's software. It is difficult at first to find a common theme amongst it all, the marine was nothing if not eclectic. Little by little a surprising statistic emerges. In addition to Webster's dictionary there are three medical dictionaries, each more extensive than the last, as if Bradley started off with the simpler version and found his needs to be more complex. Similarly there are three separate programs which deal with human anatomy, the biggest occupying three gigabytes. I enter it to find stunning graphics demonstrating every aspect of the human body, from skeletal details to musculature, to highly colored representations of every organ. From the way Bradley has customized the program it seems as if his favorite page is a map of the female form with a point-and-click facility. I point to the left ear, click, and instantly find myself looking at a gigantic Technicolor ear, with a detailed explanation of the hearing faculty in text at the bottom of the screen and an invitation to examine different details more closely. I blink at the great lion-colored mountain range of the outer ear, ruthlessly cut away to reveal a temporal bone in leopard-skin cross-hatching, a tympanic membrane in wet-look mauve, a snail-like cochlea in cornflower blue.

  In a flash of inspiration, I check the program for bookmarks, find several and double-click on one of them. I find myself staring at a brilliantly colored breast. The bulk of the pendulous mound is sandstone, with a fiery inner core from which lead the volcanic lactiferous ducts to the towering summit. A footnote explains that the whole hangs between the second and sixth rib from those ocher pectorals. A sound like a soft thud penetrates the floorboards from below.

  I close down the computer, switch off the light and slip out of the office into the corridor. The steps on the wooden staircase are so soft they would have been undetectable except for two creaks which I noticed on the way up. I sense rather than hear a body on the other side of the door, then the unmistakable squirt of betel spit.

  I open the door wide and the little old lady flies in, knocking me down. Under her, I squirm in a sticky mess, trying to gain a footing, thrusting her to one side to send her skidding across the polished floor while I roll over to avoid the blow and spring to my feet. A meat cleaver sticks in the floor at an angle while its owner, dressed in black with black motorcycle helmet and tinted visor, pulls out a knife. The visor, clearly, is an irritating impediment to my assassination; he thrusts it roughly upward, revealing a Southeast Asian face, from the Thai ethnic group, otherwise anonymous in the spherical frame of the helmet.

  I manage to stand up but he has me pinned with my back against the wall near the entrance. Forensically observant to the last, I see the knife has a serrated section on the back, a channel for the flow of blood so as to avoid those vulgar sucking sounds when withdrawn from the corpse, with an elegant parabolic curve toward the tip which catches the light nicely and is about twelve inches long. My dilemma is simple: if he lunges for my heart and I evade him by dodging to the right, I shall have about a minute more to live than if I don't dodge at all, or, equally possible, if he, reading my mind like the professional he clearly is, lunges with a slight bias to the left, he should do me in with approximately a thirty-degree penetration wound, probably with an upward thrust to take in as much lung, ventricle and aorta as humanly possible with one blade. We are reading each other's minds, he with the amusement of one who has already won, me with the clarity of thought legendary in the doomed. An infinitesimal twitch in his left eyebrow tells me he will lunge in the next second. I stake my chips on a jump to the left.
A mighty leap causes the wooden house to shake and ends with the knife stuck in the panel and his visor clopping back over his face. Compared to my own problems, his next decision is hardly taxing: whether to wrestle the knife out of the wall with visor up or down? I watch fascinated while he attempts both at the same time, pushing the annoying visor up with the left while he pulls at the knife with the right. That thrust of his was quite something; the knife is stuck so fast between planks he needs a foot to press against the wall to pull it out, which requires two hands; whoops, that visor again. I have the feeling that things are not quite as urgent as I had thought, but decide to try a charge anyway. No time like the present, and I use the back wall to thrust myself forward. I manage to launch myself into the air, a mistake because once launched I find I have lost control over my direction and he eludes me by stepping sideways with a contemptuous grunt, leaving me winded facedown on the boards while he goes back to his chore with the knife, which finally yields to his efforts.

  I try to stand to run for the door, but slide on the slippery surface and collapse painfully back onto my knees. I twist to the right, in a gamble that Mr. Black will lunge to the left. Wrong, I feel the knife slice up the right side of my rib cage as I fling myself facedown onto the floor. Not the best defensive position. I manage a quick flip onto my back as Mr. Cleaver leaps on top of me, visor up. I raise my left foot and for a split second keep it there. An astonished groan peculiar to the male of our species as my honorable opponent's testicles hit my heel and the visor slowly closes over his agony. A hardy fellow, I have to admit, as he rolls over and over to the open door, apparently having trouble standing, breathing and thinking. I hear him tick off the stairs on the way down to the ground on his backside and fancy I can hear that visor clopping as he goes.